{"id":25,"date":"2026-05-22T21:27:20","date_gmt":"2026-05-22T21:27:20","guid":{"rendered":"https:\/\/cityflowjournal.com\/?p=25"},"modified":"2026-05-22T21:27:20","modified_gmt":"2026-05-22T21:27:20","slug":"can-snl-save-british-comedy","status":"publish","type":"post","link":"https:\/\/cityflowjournal.com\/?p=25","title":{"rendered":"Can SNL save British comedy?"},"content":{"rendered":"
\n

Donald Trump is no friend to American comedians. When they mock or criticize him, he fires back on social media, reveling in the subsequent downfalls of, for example, Jimmy Kimmel and Stephen Colbert. Before his first presidency, he was a guest host of Saturday Night Live<\/em>, on which up-and-coming comics perform sketches based on current affairs, but he soon became an enemy of the show, calling for \u201cretribution\u201d after being sent up in 2019.<\/p>\n

Read more On astonishment and angels<\/a><\/p>\n

Which makes it all the more unlikely that the brand new UK version of SNL, which launched on Sky TV this weekend, should have caught his eye \u2014 but it did. In fact the very first sketch of the first episode was re-reposted by Trump on Truth Social, what with it featuring a skit of Keir Starmer agonizing and dithering to David Lammy over what to say to Trump about Iran. \u201cOh golly,\u201d asks Starmer \u2014 \u201cwhat if Donald shouts at me?\u201d<\/p>\n

For a comedy show, this is unintentionally hilarious \u2014 though I\u2019d wager that the cast and writers are mortified. What\u2019s particularly unfortunate for them is that the Trump-Starmer sketch was one of the weakest links in a program that was broadcast live and picked up steam as it went, with many flashes of brilliance later on.<\/p>\n

The real question is whether those flashes of brilliance will grow into a show that endures like its American predecessor.<\/p>\n

Launching a live TV sketch show in the UK now, in a cultural landscape where attention is fractured across a vast array of media \u2014 you can only admire the audacity. Will the younger generation, at whom much of the show was aimed, with its Charli XCX references and internet slang, actually switch on and sit through Sky TV at 10 o\u2019clock on a Saturday night? Or will the show somehow survive by virtue of its best clips going viral online?<\/p>\n

For this and other reasons, British TV audiences didn\u2019t seem to expect much from the launch. An American comedy show that\u2019s been running for more than 50 years, based on American current events and American celebrities du jour, announces it\u2019s launching a UK version on Sky TV. Trailers appear with Tina Fey, one of the biggest stars to come out of the US version, landing in the London studio while dressed as Mary Poppins, which seems exactly like an American idea of what British culture looks like.<\/p>\n

Advertising billboards pop up around the country, featuring a dainty teacup with a biccie dunked in it, or the show\u2019s name spelled out in beans on toast \u2014 the kind of jokes made about the British rather than by us. We might be an easy country to caricature but we\u2019re a tough one to make laugh. Who is this for \u2014 them or us?<\/p>\n

Besides which, Saturday Night Live<\/em> in the States is notoriously hit-and-miss. When I worked in Hollywood, I found that American audiences didn\u2019t mind some inconsistency\u00a0 but Brits cast a more critical eye over comedy. Still, the announcements of the British version\u2019s cast and writing team were well received in the comedy world: just the right sort of newish talents to already have a following, but not yet be household names. Which is how SNL has always done it in the States, taking budding comics such as Eddie Murphy, Bill Murray, Sarah Silverman and Kristen Wiig, and turning them into stars.<\/p>\n

Their newly-minted British counterparts included Paddy Young, a stand-up comedian from Scarborough who can go from coquettish to brutal in a heartbeat, and Al Nash, whose awkward, surreal skits about modern life play well on Instagram. Among the writers were Jonno Johnson, from the \u201cSheeps\u201d group of comedians who work with Jamie Demetriou of Stath Lets Flats<\/em>, and the utterly deadpan Frenchwoman-in-London Celya AB. So far, so intriguing. But there were grounds to be suspicious of this well-resourced new show. Someone I know, with ties to the show, posted an ad on Instagram saying how excited they were for the program, then posted a private message pleading with us to engage with the first post. \u201cThis is going to bomb, isn\u2019t it?\u201d seemed a common response among the comedy fans I know. The arts and culture section of Vogue<\/em>\u2019s website ran a video interview with the cast where each one said a line that fed into the next one\u2019s line. By the end of the chain they still hadn\u2019t landed a joke between them. Ouch.<\/p>\n

And yet, \u201cActually good!\u201d seemed to be the most common response from British viewers to the first episode. After the Trump sketch, the quality improved. I found myself laughing out loud at the mock advertisement for \u201cUnd\u00e9rage\u201d, a new beauty product that makes women look so young that their husbands get done for pedophilia. If you don\u2019t like that line of humor then you might not like the rest. Other gags, as it were, came via a reference to Andrew Mountbatten-Windsor\u2019s new residence, Marsh Farm, \u201cwhich is of course named after the nearby marsh where his body will be found,\u201d and a savage attack on Dubai influencers. \u201cIf any are killed\u2026 and we can only hope they are\u2026 they went there to evade income tax and now they have to evade incoming attacks.\u201d<\/p>\n

Read more Why Iran is right to be paranoid<\/a><\/p>\n

Perhaps partly because of the threat of Trumpian retribution, American television can be afraid to show bite. The British comics, however, seemed to enjoy some savaging, mainly of the media itself. The news, the adverts, the celebrity interviewers and the influencers \u2014 every kind of content creator was up for ridicule. Given Britain\u2019s history of cutting political satire \u2014 Yes Minister<\/em>, Spitting Imag<\/em>e, Private Eye<\/em>, Have I Got News For You<\/em> \u2014 you\u2019d have expected a little more savagery toward the Prime Minister. Trump may have enjoyed it, but the sketch about Starmer\u2019s indecision felt indecisive in itself.<\/p>\n

Which is a shame, because David Lammy was played by Hammed Animashaun, an actor recently nominated for an Olivier Award for his role in the play Dealer\u2019s Choice<\/em>, and who elsewhere in the show revealed himself to be a brilliant comic. His Ed Boovies character, interviewing film stars with the zeal of an overexcited young blogger, was portrayed with pitch-perfect finesse. Boovies began as an apparent puppydog fan of the movie star played by Tina Fey, only to confront her about why her new action film \u201cfucking sucked. It\u2019s so bad, like, all the way through \u2014 what happened?\u201d Because the show started at 10pm, the cast was allowed to swear on live TV: a privilege that Animashaun used so liberally that the joke began to wear off.<\/p>\n

As for Paddington, they savaged him too, by making him actually savage. The immersive Paddington Bear experience, as one sketch had it, is a new tourist attraction in London. As in the lovely films, the setting is a pastel-colored house \u2014 but the bear inside is real, has no interest in the twee marmalade sandwiches and seems more intent on attacking the tourists. Not everyone is unhappy about the bloodshed and terror, however. As one mother says upon leaving the attraction, \u201cI\u2019ve always thought that three kids was a bit too many, and now I\u2019ve got the optimum amount.\u201d She looks happily at the empty space around her. \u201cNone!\u201d<\/p>\n

Concerns that Al Nash was being underused were put to rest when he arrived in the newsroom as Captain Birdseye, deployed by the government to sail his schooner to the Strait of Hormuz and stifle Iran. Turns out he\u2019s not just been making fish fingers all these years but running a black ops mission too, slitting the throats of our enemies and keeping their fingers along with the fish. This sort of surrealism, Vic and Bob meets Charlie Brooker and Black Mirror<\/em>, was inventive and brilliant. It is a style of humor perfected on the ruthless production lines of short-form online video.<\/p>\n

But surely the biggest star of the night was Jack Shep, a fair-haired young chap who somehow brought the house down as Princess Diana, masterfully deploying that blushing bashfulness we remember from her Martin Bashir interview. He also played a full-term baby in the womb, a baby who, after a ten-hour labor, was described by the midwife as \u201cshy\u201d, but was then diagnosed by a senior medic as in fact merely attention-seeking.<\/p>\n

If Shep reminded viewers of a happier time in Britain\u2019s history of sketch shows, he also reminded us how far away that period now feels. British comedy is beloved around the world, yet it is incredibly hard to get it made on TV these days, and almost impossible when it takes the form of sketches rather than a sitcom. Add to that the challenge of broadcasting it live, in front of a studio audience. Then throw in the challenge of launching in the same week as the second series of Last One Laughing<\/em>, the pre-recorded Amazon series that is very successful and the only comparable thing on British TV. This is not necessarily fertile ground for success.<\/p>\n

Many of these talents grew on Instagram, where other British comics such as Munya Chawawa, a master of political satire via pop music, have already amassed followers in the millions for sketches they\u2019ve got down to a 90-second art. The experiment is in whether this has created the perfect training ground for live TV or not. Instagram posts aren\u2019t live \u2014 but you do find out pretty quickly if your jokes have landed, as the algorithm will soon bury your content rather than promote it, if few people like and engage. Can SNL UK successfully export the art of the comedy sketch back to the place it was invented: the TV?<\/p>\n

TV used to be brilliant at providing a single cultural focal point of a Saturday evening. If viewers can tolerate the inevitable inconsistency of a live sketch show \u2014 ignoring, if only briefly, the algorithm-honed short-form video apps on their phones \u2014 then the reward will be one of those cultural focal points, rare in today\u2019s world but precious. And if there\u2019s one thing that attracts attention, it\u2019s the fury of Trump. Expect a rather more aggravating send-up of the President in SNL UK\u2019s second episode.<\/p>\n

Read more Alasdair MacIntyre was right all along<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Donald Trump is no friend to American comedians. When they mock or criticize him, he fires back on social media, reveling in the subsequent downfalls of, for example, Jimmy Kimmel and Stephen Colbert. 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